June 14, 2017 Cambridge, MA., Harvard Art Museums, The Summer Institute for Technical Studies in Art (SITSA), variable media lecture and workshop.
September 4-8, 2017 Copenhagen, ICOM-CC Triennial Conference, presentation “Time and Conservation.”
September 15, 2017 ZKM | Center for Art and Media Karlsruhe, Germany, “Paik’s Virtual Archive: Time, Change, and Materiality in Media Art,” lecture and book presentation.
October 10, 2017 London, UCL | Institute for Advanced Studies, London, Permanent Impermanence: Panel Discussion and Book Presentation “Paik’s Virtual Archive: Time, Change, and Materiality in Media Art.” With Briony Fer, Sarah Cook, and Hanna Hölling.
October 16-18, 2017 Munich, Deutsches Museum, “Trace, Memory, Time” presentation on the occasion of the symposium “Material Authenticity of the Ephemeral.” TBC.
November 17, 2017 SIK-ISEA | Schweizerisches Institut für Kunstwissenschaft (Swiss Institute for Art Research), Zürich, lecture and book presentation.
May 26, 2017 London, UCL | Institute for Advanced Studies IAS, presentation “Permanent Impermanence: Sensing Change in Multimedia Works of Art” in the Sense and Sensation seminar series.
April 5, 2017, 1.30pm New York, The Met | The Metropolitan Museum of Art, presentation “Media Art between Concept and Material: Nam June Paik’s Installations and the Limits of Material Preservation.”
April 5, 2017, 7:30pm New York, Insitute of Fine Arts, New York University, book presentation “Paik’s Virtual Archive: Time, Change, and Materiality in Media Art.”
March 1, 2017 London, UCL Department of History of Art, Alumni Round Table Discussion with Rovianne Matovu (Morey College), Maxine Noth (Haut Presents), Niahm Morgan (Scott&Co), Subhas Kim Kandasamy (Achille Salvagni Atelier), and James Baskerville (Christie’s).
November 19, 2016 Leeds, University of Leeds, Spaces of Imagination: Intermediality in Film Archives and Exhibition, University of Leeds, presentation “Time, Change, and Identity in Nam June Paik’s Zen for Film.”
November 17, 2016 London, Institute for Advanced Studies IAS, introductory discussion in the seminar Sense and Sensation
October 16 Tenna, Switzerland, finissage of the plain air New Land Art exhibition Art Safiental organized on the occasion of Alps Art Academy.
September 23 Brighton, University of Brighton, presentation “Archive, Materiality, and Change,” (canceled).
September 12 Los Angeles, 2016 IIC Congress at the Biltmore, presentation “Transitional Media: Duration, Recursion and the Paradigm of Conservation.”
July 12-17 Casa Wabi, Mexico, think tank Media in the Expanded Field, participation, PechaKucha, paper presentation “Revisions, or on the Aesthetics of Change” in the session Post-medium Condition, and chaired panel discussion with Pip Laurenson and Doris Krystof.
June 26-July 3 Tenna, Switzerland, Alps Art Academy International Summer School, keynote“The Lands of Art: On Land Art’s Shifting Grounds,” and taught programs (leader theory workshop).
June 25 Basel, Switzerland, 3rd Congress for Art History, introduction to and moderation of the session “Objekte Erklären.”
February 22 New York finissage of the exhibition Revisions-Zen for Film at the Bard Graduate Center Gallery.
February 5 Washington DC, College Art Association 104th Annual Conference, introduction and moderation of the session “The Explicit Material: On the Intersections of Cultures of Curation and Conservation.”
December 8 Budapest, Ludwig Museum—Museum of Contemporary Art, presentation “What is Conservation? Media Arts between the Recent and Traditional Theory.”
December 5 Warsaw, Academy of Fine Arts—Rector’s Building, presentation “Art in Process, or on the Relative Duration of the Impermanent.”
November 23 Berlin, Max Planck Institute for the History of Science, presentation “Conservation and Contingency: On Realms of Theory and Cultures of Practice.”
October 10 Riga, Renewable Futures, Media Art Histories Conference, “Slow and Fast Art: Time, Change, and Continuity in Media Installations” (canceled due to illness).
September 24 New York, Curators’ Corner series “On Curating Nam June Paik” Hanna Hölling and Michelle Yun in coversation.
September 21 New York, Bard Graduate Center, symposiumRevisions: Object—Event—Performance—Process since the 1960s moderation and opening presentation “Zen for Film: Object, Event, Performance, Process.”
Septemeber 17 New York, opening of the exhibition Revisions-Zen for Film at the Bard Graduate Center Gallery, 18 W 86th St.
September 1 New York, Revisions-Zen for Film has been published.
May 15 Miami, 43rd Annual Meeting of the American Institute for Conservation, opening session presentation “The Theory of Practice: Practical Philosophy, Cultures of Conservation and the Aesthetics of Change.”
May 7 Providence, Brown University, presentation “On the Relative Duration of the Impermanent and the Aesthetics of Change in Museums.”
February 11 New York, College Art Association 103rd Annual Conference, presentation “Fluxus: What’s the Matter?”
December 2 Glasgow, The Glasgow School of Arts, opening keynote “The Aesthetics of Change: On the Relative Durations of the Impermanent.”
May 24 Lausanne, University Lausanne, presentation “Made in Switzerland: Between Concept and Materialization in Paik’s Video Installations in Basel and Zurich.”
March 31 México D.F., Fundación JUMEX, Universidad Nacional Autónoma de México,opening keynote “Beyond the Object Principle.”